The necrophile hummingbird netlabel and HAMFUGGI Records present We Are The Intermorphs by rADio eNd, a tribute to John C. Lilly.
"Synchronicity Music for Related People".
About the surface of the album :
Despite being release after Genesis Launch & Sound therapy this is the first album of rADio eNd, so you may think the goal was to design the sound of the project but it's the opposite it's because this sound was not fitting with any previous project that rADio eNd is born. That's why there is no real influences despite perhaps it's rooted to many previous netlabel's projects with recent albums such as Junk DNA III or Shagreen Tape... or older ones like Hibakusha Jinx or Zvezda MIX.
Perhaps you can skin it out and find industrial Method, Trip Hop Rhythms, Avant Garde Turntablism... But you shall better turn off your reason, to walk with coincidences and take it as weird psychedelic trip.
About the depths of this album :
A dive into consciousness, including pressure stops with high risks of depths intoxication.
Light is such a mesmerising essence when it is watch from the abyss.
Featuring :
Amandine Prost on track 2
https://www.facebook.com/amandine131313
ardleg on track 10
https://ardleg.bandcamp.com/
Studio 112 on tracks 1 & 8
https://studio112.bandcamp.com
Ed End
https://ello.co/ed_end
Free Download in Wav & Flac also here with an alternate version of 9 Conditions.
https://yoshiwaku.bandcamp.com/album/we-are-the-intermorphs
rADio eNd is a process more than a simple musical project...
More informations about rADio eNd on the official page
http://horsnorme.org/rADio_eNd/rADio_eNd_english.html
The idea to do a tribute to John C. Lilly came from Studio 112.
Thanks a lot to the providers of the genium's sources.
In loving memory of Peter & Lizzie and all the dolphins sacrifice in John C. Lilly experiments.
We hope this album will help to focus on the animal rights problems.
We are responsable of our choices.
We think one fine way to change the world is to be aware of the power of our acts.
There is no life without Consciousness.
Lilly also wrote that there are nine conditions that should be followed by people who seek to experience coincidence in their own lives:
You must know/assume/simulate our existence in E.C.C.O.
You must be willing to accept our responsibility for control of your coincidences.
You must exert your best capabilities for your survival programs and your own development as an advancing/advanced member of E.C.C.O.'s earthside corps of controlled coincidence workers. You are expected to use your best intelligence in this service.
You are expected to expect the unexpected every minute, every hour of every day and of every night.
You must be able to maintain conscious/thinking/reasoning no matter what events we arrange to happen to you. Some of these events will seem cataclysmic/catastrophic/overwhelming: remember stay aware, no matter what happens/apparently happens to you.
You are in our training program for life: there is no escape from it. We (not you) control the long-term coincidences; you (not we) control the shorter-term coincidences by your own efforts.
Your major mission on earth is to discover/create that which we do to control the long-term coincidence patterns: you are being trained on Earth to do this job.
When your mission on planet Earth is completed, you will no longer be required to remain/return there.
Remember the motto passed to us (from G.C.C. via S.S.C.U.): "Cosmic Love is absolutely Ruthless and Highly Indifferent: it teaches its lessons whether you like/dislike them or not.
Also Go With It or Never Walk was create first for Field Mice ESVB Vol. 3 Tape was not planned to be in the album, but after many listen seems it's better to include it. https://radiomulot.bandcamp.com/
Why dNe oiDAr ?
First we planned to create this tribute with PIRATE Tapes...
But after listening the album it was obviously more sounding like the mutant child of TKno BeurK and A Symbiotic Experience.
What about rADio eNd ?
While I wrote this I've got an advertissement for nasty amazon music service on my phonecell. It was tricky to share our free music after the record compagnies did their best to erase the peer2peer softwares. It was more tricky after deezer and spotify make hardly possible to the free music to be available to their listeners. Could sound weird but they keep them jail in a bubble ^^. The example of Netflix for films and series in my opinion was not that much a problem because cinema need bigger funds than music and hollywood is not doing cinema but entertrainement, so I enjoy the idea that indie directors can create films with more freedom. But for the music I can't imagine a world where nearly all the audience is lockdown on amazon music. First because each one do not need all the music of the world, indeed a simple real radio could be more enjoyable than tones of garbage muzak. And more accurate to the actual use of music. Halas they probably have got already an algorhythm to get your own radio based on your own tastes, including the possibility to enlarge that tastes... So the eNd for the muzik as we know it ? Perhaps it's like organic versus industrial, few listeners understand that the vibe, energie, spirit of the music include by some way our being, if someone create some music to share it free whatever how it sounds it will never feed your soul the same way than the music create to make profit. So happy to bring you this very open project.
You may notice that the name of this project is in straight line of post situationist industrial culture detournement. Obviously a name squatting of Radiohead. Copythief Attitude. This music is free, usually in the capitalist system this would be consider for most of the listeners as something without value. Junk. Indeed it's the opposite, actually in this upside down world nothing is more valuable than anything really free. Take Care to Keep the Free Culture Alive. Let's share.
Video Art Clips here https://www.bitchute.com/channel/mixuptv/
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